This post is about two of Mark Knopfler’s Fender vintage amps, the brown Fender Vibrolux – the Sultans of Swing amp that was covered in this blog article – and the similar-sized and similar-looking brown Fender Vibroverb. The Fender Vibrolux (model 6G11a) was one of Knopfler’s earliest guitar amps. Probably it belonged to Dire Straits’ bass player John Illsley and was used for the first demo recordings of Dire Straits, […]
With this blog post I will try to compile some info on Mark Knopfler’s effect rack for his latest tours – based mainly on pictures of his 2008 tour. Probably the same rack was also used on his latest 2010 tour. Here we have a picture of the full rack: The Devices Tuner – On top we have a chromatic tuner, as it seems a Korg DTR2000. Power conditioner – […]
One of the commentators to my previous blog post (on the Rock Pop TV gig Dire Straits did on December 20, 1980) asked for Mark’s effect rack. He triggered this blog post in which I would like to put together all information I have about it. The Making Movies ( On Location) tour was the first tour on which Mark used a fully loaded 19″ effects rack. Some of the […]
I recently found this picture showing Dire Straits on one of their probably earliest gigs – I guess 1977 or early 1978 at the latest. Not the earliest picture, but I think a nice one which I at least haven’t seen before. It is only b/w, but Mark’s ’61 Stratocaster should still have the bare-wood finish it had when he got it. I am almost sure that it got the […]
The family of the loaded Schecter-style pickguard – currently available in white aluminium and brass with tapped F500T-style pick-ups – got a new member: A pickguard with a pick-up configuration just like in Mark Knopfler’s red Schecter Strat in the early 80ies – thus the name Alchemy Edition. For now it is a really limited edition of just a few – so if this is what you always wanted better […]
After the brass pickguards, the white ones are also available now. Just like on Mark Knopfler’s red Schecter Strat, they are made of white enamel aluminium, they feature three mini toggle switches, one volume poti and one tone poti with chrome or gold knobs (e.g. Mark Knopfler’s blue Schecter – played on stage by Hal Lindes – had gold knobs). Just two potis are great: you can finally rest your […]
The Schecter-F400 loaded pickguards normally came with Schecter’s F500T pick-ups. The ‘T’ stands for tapped. So, what is meant with this, what is a tapped pick-up? A normal Strat pick-up consists of six individual magnet pole pieces wrapped by a coil of thin wire. The original Fender design had about 8,000 turns (varying to some extent, the vintage ’54 pick-up was specified to 8,350, while a 1978 Strat pick-up had […]
I am proud to announce a brand new product which will be available exclusively on this site in the very near future. For a long time those vintage Schecter pickguards, loaded with the sought-after F500T tapped Schecter pick-ups, have been the ultimate tool to convert your guitar into something similar to the legendary Schecter Dream Machines, or as a start point to build a high-end custom Strat. With those three […]
When I started playing the guitar in 1979, spiral guitar cables were common. Many players favoured these spiral – or coil(ed) – cables because it is very handy not to have meters of cables lying on the floor between your feet and your effects. The spiral cable shortens automatically to a few feet, while it allows distances up to several meters when stretched out, and they don’t wrap themselves after […]
In forums I often read questions about different volume pots and the best value they should have. A normal Fender Strat pot has 250 kOhms, but 1MOhms (=1000 k Ohms) is used on Telecasters, while Gibson often uses 500 kOhms. And then there are the no-load pots, so all in all it seems there is some confusion about what to use best, and what effect a different pot value will […]