Gear on one of the first Dire Straits gigs on the Clapham Common bandstand

As promised in the comments on one of the last articles, I tried to find all pictures of one of Dire Straits’ first gigs – the one at the summer party for Charlie Gilett’s Honky Tonk Radio Show, on the Clapham Common bandstand, September 10, 1977. Unfortunately there are only 4 pictures it seems, not 5 or 6 as I hoped (the one on the sleeve of the Honky Tonk […]

Gear on Dire Straits’ first TV appearance at Old Grey Whiste Test

I recently watched the video clips of Dire Straits performing Sultans of Swing and Lions live on the British Old Grey Whistle Test again.  It is one of the earliest videos that exist, recorded in Manchester on May 15, 1978, about three months after the first CD. Sultans of Swing Lions Let’s have a look at the gear we can see in this clip. Knopfler plays his red maple neck […]

Red – redder – the reddest: fiesta, dakota, candy apple, hot rod, and more Fender colours

A red Stratocaster has always been one of THE rock’n’roll logos – something that started with Hank Marvin, guitarist of the Shadows, who had the first red Strat in England. He started a desire for exactly this guitar among thousand of English kids in the early 60ies, one of these was a kid named Mark Knopfler. In fact it was rather coincidence that Hank Marvin got a red Strat: he […]

Guitar refinishing – nitro vs poly and how to remove a polyester finish

Over the last days I was working on a Strat project. I had some parts from a 70ies Japanese Strat copy, which together with an American Fender neck and a loaded pickguard should make a nice part-o-caster. In the seventies many guitars were finished with polyester. This finish is like a coat of hard plastic (actually it is rather a resin). It is easy to apply because you can sand […]

The DiMarzio FS-1 pick-up of Mark Knopfler’s red Stratocaster

According to an interview with Guitar Player magazin from 1979, Mark Knopfler played a DiMarzio pick-up in one of his two red Fender Stratocasters that he played around the time of Dire Straits’ first two albums: On one there’s a DiMarzio pickup for the bass, and I like it because it just seems to give a fatter, louder sound, with more clout than the standard pickup Fender uses. DiMarzio has […]

Gear and settings on my last youtube videos

A few people asked for the gear I used on the last set of youtube videos that I put online last week, namely on the video clips of the following articles: The one-man band – Playing both rhythm and lead guitar together Dire Straits Eastbound Train – Rhythm riff, licks and solo explained Mark Knopfler licks using the b5 note Knopfler goes Jazz – Video with licks from Comfort and […]

Sunburst and unburst Les Pauls from the late 50ies

Have you ever wondered why Mark Knopfler’s Gibson Les Pauls (he has a ’58, a ’59, and some replicas of late 50ies models) differ so much in their colour? And what is the colour called, simply sunburst, or is it cherry sunburst, or tobacco sunburst? Have you ever heard the term ‘unburst’? The answer is simple: all those Les Paul Standards from that era (they were only built in this […]

Mark Knopfler’s Amp and Effect Settings on the On Every Street tour

A lot of people wonder how to adjust all the controls on the guitar amp or on effect devices to recreate the sound of song xy. Such questions are common in guitar forums all over the internet. Of course it is almost impossible to say which setting someone needs to recreate an authentic sound with his individual gear. Besides, even if you use exactly the same kind of setup with […]

Mark Knopfler’s JTM 45 Marshall amp of Money for Nothing and Brothers in Arms

In Guy Fletcher’s last recording diary he had a photo of Mark Knopfler’s old Marshall amp with the matching cabinet. This seems to be the same amp that was used on the original recording of both Money for Nothing and Brothers in Arms. Marshall’s first amps were basically copies of the tweed Fender Bassman. They had the same circuit and consequently the same controls, although they looked completely different. The […]