The family of the loaded Schecter-style pickguard – currently available in white aluminium and brass with tapped F500T-style pick-ups – got a new member: A pickguard with a pick-up configuration just like in Mark Knopfler’s red Schecter Strat in the early 80ies – thus the name Alchemy Edition. For now it is a really limited edition of just a few – so if this is what you always wanted better […]
After the brass pickguards, the white ones are also available now. Just like on Mark Knopfler’s red Schecter Strat, they are made of white enamel aluminium, they feature three mini toggle switches, one volume poti and one tone poti with chrome or gold knobs (e.g. Mark Knopfler’s blue Schecter – played on stage by Hal Lindes – had gold knobs). Just two potis are great: you can finally rest your […]
The Schecter-F400 loaded pickguards normally came with Schecter’s F500T pick-ups. The ‘T’ stands for tapped. So, what is meant with this, what is a tapped pick-up? A normal Strat pick-up consists of six individual magnet pole pieces wrapped by a coil of thin wire. The original Fender design had about 8,000 turns (varying to some extent, the vintage ’54 pick-up was specified to 8,350, while a 1978 Strat pick-up had […]
I am proud to announce a brand new product which will be available exclusively on this site in the very near future. For a long time those vintage Schecter pickguards, loaded with the sought-after F500T tapped Schecter pick-ups, have been the ultimate tool to convert your guitar into something similar to the legendary Schecter Dream Machines, or as a start point to build a high-end custom Strat. With those three […]
In forums I often read questions about different volume pots and the best value they should have. A normal Fender Strat pot has 250 kOhms, but 1MOhms (=1000 k Ohms) is used on Telecasters, while Gibson often uses 500 kOhms. And then there are the no-load pots, so all in all it seems there is some confusion about what to use best, and what effect a different pot value will […]
In the 80ies, Mark Knopfler was probably the most famous user of Schecter guitars. He bought several Schecters in 1980 at Rudy’s Music Stop in New York, mainly because he was looking for a guitar that was easier to play and better suited for the high demands on the road than the vintage Fenders he played before. Also his former girl-friend played a Schecter which he said was much better […]
Some of you might already have noticed that this site has its own shop since a few days. You can enter the shop with the MK-Guitar.com Shop button on the right side of the header section. After some initial beta testing I am proud to announce that you can buy stuff like * Gear (partly vintage stuff) Ernie Balls, Morleys, effects, instruments … mostly used, ocassionally new stuff Not too […]
Like many others, I recorded an entry for the Puresolo competition (you could play your solo over one of the following backing tracks: Sulans of Swing, Calling Elvis, or Speedway at Nazareth). I always find it a bit frustrating to take part in such a competition because as it seems nobody knows before who decides basing on what criteria (authenticity, accuracy, originality, creativity, …??) Anyway, as the backing track was […]
Visitors of Mark Knopfler’s latest Get Lucky tour might have wondered about one of Knopfler’s new guitars which he used on stage for the last song each night – Piper to the End. This song features (live and studio) the Electrajet built by Luthier Don Grosh. Don Grosh started his company Grosh Guitars in 1993, “with the singular goal of producing the world’s finest custom electric guitars and basses” (quote […]
After seeing Mark Knopfler live on the recent Get Lucky tour I can confirm that he plays different MK Signature Stratocasters on stage (compare the post on Guitars on the get Lucky tour). In Oberhausen und Amsterdam he seemed to play four different red MK Strats: #1 – on Border Reiver This one is tuned to Eb which of course does not mean an open tuning but one half note […]